UK girl group The Saturdays posing selfie-style for Fabulous magazine (Source: The Saturdays.co.uk)
Last weekend, international pop star Katy Perry sent out a cautionary tweet to her 52 million followers:
What she is referring to is the selfie, defined as self-portrait photograph, taken with a digital camera or cell phone. These photos are often posted on social networking sites such as Facebook, Twitter, Instagram and Snapchat. To find a selfie, perhaps we need to place it in one of the categories Victor Burgin discusses in “Looking at Photographs” as the four types of look in a photograph, the one being “the look the actor directs to the camera.”
If you’re looking for a movie that captures the essence of celebrity-obsession, Sofia Coppola’s (daughter of famed director Francis Ford Coppola) led The Bling Ring certainty tops that list. The movie, released last summer, is based on the real life crimes of a group of Los Angeles teenagers who broke into the homes of a slew of A-list celebrities including Lindsay Lohan, Paris Hilton, Rachel Bilson and Megan Fox. While the real buglers are spending time behind bars and still in the midst of a lengthy probation, the movie became not only fodder for the actual crime, but allowed for a satirical look—while not violent in nature, still an invasion of privacy, but planned (by these teenagers) for the purposes of obtaining expensive clothing and jewelry. As movie critic Richard Roeper called Emma Watson’s portrayal of Alexis Neiers “comedic gold”, while on the surface, Watson isn’t playing the role of a cartoon character leaping over fences, skinning knees, cracking jokes and misleading officers about her identity when confronted at the home she shares with her mother and father and her two sisters, her character is simply oblivious to reality, as she truly thinks she means what she says.
Emma Watson in The Bling Ring (Source: NextMovie)
I thought the dichotomy of this movie allowed for a bit more interpretation on my end.